Going ultra-wide
Understanding the Field of View Crop Factor in Digital SLR Cameras
Because the sensor in a digital SLR camera is typically smaller than the 35 mm film it replaced, the physics of the lens's focal point changes. This phenomenon is known as the "Field of View Crop Factor" or "Focal Length Multiplier." The result is that your long lens becomes longer, and your wide lens becomes narrower.
Wildlife photographers appreciate the Focal Length Multiplier because their 200 mm telephoto lens effectively becomes a 320 mm lens. However, creative photographers find it frustrating because a 24 mm lens becomes a 38 mm lens, making it challenging to achieve a truly wide angle.
My personal lens investment dates back to the pre-digital era, so I never had the chance to compensate for this effect. Consequently, all my lenses became too long for many of my purposes. To satisfy my need for wide shots, I occasionally rent a 14 mm ultra-wide lens (with an effective focal length of 22 mm), which reminds me of the good old days when a wide lens was truly a wide lens.
Wide-angle photography is a lot of fun and allows me to keep the social media header imagery fresh.
Anatomy of an Exhibit
Catholic Charities USA Centennial Leadership Summit
Yesterday, on April 20, 2009, Catholic Charities USA held their Centennial Leadership Summit at the College of St. Catherine. This event marked the inaugural exhibit of the "In Our Own Backyard: U.S. Poverty in the 21st Century" photojournalism awareness project. The summit kicked off Catholic Charities' ambitious goal to reduce poverty in the United States by 50% by the year 2020.
The entire exhibit process was meticulously documented, much like the television show '24', but instead of saving the country from terrorists, we were hanging art (perhaps the lamest metaphor ever).
T-2 weeks: Once the project was defined, the supply chain of raw materials started filling up. This exhibit required two cases of 4'x8'x1/2" black Gatorboard.
T-1 week: Each image was printed on premium luster photo paper (wide color gamut, scratch-resistant but susceptible to fingerprints), vacuum mounted to the Gatorboard, then trimmed to size and packaged. A total of 50 images were printed and mounted for this exhibit.
T-24 hours: The finished materials were delivered the day before the exhibit opening. The exhibit panels presented some challenges, with the image layout being the most critical.
T-12 hours: The image title blocks were completed, enhancing the storylines. I was delighted to see Carlos Gonzales from the Minneapolis Star Tribune participating, having known him from the Max Becherer exhibit.
T-4 hours: No exhibit is complete without a politician. In this case, it was the Honorable Mayor Chris Coleman of St. Paul.
T-0 hours: The exhibit generated a lot of discussion with its 'first person, photojournalistic' style.
T+x: From St. Paul, the exhibit moves to Portland, Oregon, and begins a nine-city nationwide tour, aiming to conclude at the White House in 2010.
Math, art, and a touch of drama—all in a single blog entry. Now that's efficient blogging.
Penumbra
The Captivating Penumbra: A Photograph of Jake's Strip Club
The definition of penumbra is 'almost shadow' or 'almost dark' (or light). Penumbra is typically used to describe events in astronomy, such as when an eclipse occurs.
In photography, penumbra provides a unique opportunity to capture texture and atmosphere in an almost occult-like light. A strip club has always struck me as kind of sad and desperate. I have been meaning to take this photo for years, but the highway has been re-routed, making it tricky to get to. This isn't exactly the effect I was looking for (drizzle and water puddles would have been ideal), but I liked the emotion the headlights provided.
Jake's strip club is located in Coates, Minnesota. It had a litigious relationship with the community, and for years the town continually passed laws to close it down. In 2002, the Minnesota Supreme Court finally ruled that the town was within its authority to close Jake's. In an unwise effort to vote the local politicians out of office, Jake's owner had 92 patrons (sometimes called rummies) fill out voter registration cards, using the strip club as their home address.
You don't mess with the feds. It is never a good idea to break federal voting fraud laws, especially in such a foolish manner. Several hundred thousand dollars later, the case was finally settled. The bar never reopened, and it has been vacant ever since. No doubt it will be torn down, and the opportunity to capture Jake's in penumbra light will be gone forever.
The traveling photojournalism exhibit
Catholic Charities American Poverty Photojournalism Project: A Year in Review
It has been a full year since we became involved in the Catholic Charities American Poverty photojournalism project. It has been a rewarding and challenging year, and now a certain rhythm has taken hold as the exhibit crisscrosses the United States. This coming week, the exhibit presents itself in Nashville, Tennessee. The map above demonstrates where the exhibit has traveled (in red) and where it is yet to travel (in blue). Additional cities might still be added, and no final confirmation yet if the final exhibit will take place at the White House.
Steve Liss, the Project Director, travels to each city immediately prior to the exhibit reception, artfully and tastefully documenting the slices of poverty unique to each community. Our job involves image preparation—printing, mounting, and packaging all the images for each exhibit—and delivering them directly to the exhibit venue. Usually, there isn't a single day to spare, and thankfully, UPS has delivered each and every package on time and in perfect condition. Ideally, there would be a larger buffer of time for production, but then, what would be the challenge in that?
It is a challenge, and from every challenge, you hope to learn and improve from the experience.
Next stop: The Newseum
The Newseum: Celebrating the First Amendment
The Newseum, an interactive museum of news and journalism in Washington D.C., is dedicated to educating the public about the value of a free press in a free society. The museum tells the stories of the world's significant events in unique and engaging ways. Located just off Pennsylvania Avenue near the U.S. Capitol, it occupies a high-profile spot in a high-profile city.
As part of our ongoing collaboration with the AmericanPoverty.org photojournalism exhibit, we produced several large (48”x72”) mounted prints for a reception at the Newseum later this week. The images needed to be substantial because the reception hall is spacious, and visual impact is crucial. This exhibit aims to create momentum for the AmericanPoverty.org campaign moving forward.
These images feature a beautiful platinum print finish. Platinum prints, sometimes called platinotypes, are one of the oldest photographic processing techniques, offering the greatest tonal range of any printing method using wet chemistry development. In the digital age, platinum prints are replicated on the computer, yet they do an excellent job of recreating the original look.
2010 promises to see an acceleration of activity with Catholic Charities and AmericanPoverty.org.
Why don't you take a picture? It will last longer.
Capturing Moments Before They Disappear
For the humor-deprived, the title might seem borderline inappropriate, but it's actually quite fitting.
Photographers have a duty to document the world as it is. Many iconic pieces of our existence are vanishing, and once they're gone, they're gone forever. A drive-in movie theater, for example, lasts only as long as the economics of local development allow. Once the land becomes more valuable for another purpose, adios drive-in movie theater.
Pay attention to everything and take nothing for granted. Don't tell yourself that you'll take a certain photo someday. Take it today.
AmericanPoverty.org
AmericanPoverty.org Exhibit Kicks Off at Catholic Charities USA Annual Conference
Last week, Catholic Charities USA kicked off their annual conference in Portland, Oregon, with the large format photojournalism exhibit produced by the In Our Own Backyard photojournalism team. Entitled AmericanPoverty.org, this exhibit aims to raise awareness of people living in poverty in the United States. Catholic Charities has set an ambitious goal to reduce poverty in the United States by 50 percent by the year 2020. They understand that the only way to meet such an aggressive goal is to set the bar very high.
In Our Own Backyard is a team of skilled and seasoned photojournalists who have witnessed firsthand the struggles of extreme poverty in the United States. This team includes talented photojournalists such as Steve Liss, Jon Lowenstein, Brenda Ann Kenneally, and Eli Reed. They have crisscrossed the United States, capturing exactly what it means to be poor.
It has been a delight to be involved in this project. The deadlines were tight, and God bless overnight delivery. There are at least six more cities that will be hosting this exhibit over the next year, so we look forward to future involvement. Learn more about this large format photojournalism project at AmericanPoverty.org.