2014 Flyway Film Festival
Every year we take this photo because every year we like to be involved in the Flyway Film Festival.
This year the Festival will continue to grow and we are delighted to be a small part of it.
Our customers are rock stars!
A Business Built on Great Customers
This business is only as good as its customers, and we have the best customers.
Case in point: the busier we get, the less attention web administration seems to receive. But it's too important to ignore for very long. This morning, I was determined to bring the Video/News section of our website up to date. This involves the painstaking task of writing press releases, proofing them, and then re-writing them. I know it isn't as bad as breaking rocks for a living, but it is still a job that I do not look forward to.
At some point, you need to include testimonials to add credibility to the releases. And this is when I am reminded how good our customers are.
Thank you, Jeff Marcus. You have been a steadfast supporter for many years, and we appreciate it. Now go support Jeff. This is good stuff.
2011 Flyway Film Festival
Flyway Film Festival: A Creative Celebration
The Flyway Film Festival is one of our favorite events each year. This uninhibited creative endeavor spans three days in October. Each year, the festival has grown in size and scale, and this year promises to be especially exciting.
First, the Flyway Film folks received a generous grant from the Wisconsin Department of Tourism, which will significantly boost marketing efforts. This extra funding will help expand the festival's reach.
Second, the festival graphic is noteworthy for its artist. Gaylord Shanilec created the original etching of the three pelicans used in the poster. Gaylord is undeniably talented, and pelicans are indigenous to this area, making it an exceptional image representing our region.
Lastly, a very limited edition of signed fine art prints will be available for purchase, with proceeds helping to fund the festival. We printed these limited edition prints on Hahnemühle textured 100% cotton paper, ensuring they will last for hundreds of years.
Mark your calendars for October 23-25. We can't wait!
Cartooning…
Exciting Upcoming Art Exhibit: Contemporary Cartoon Artists
We are thrilled to announce tentative arrangements for an art exhibit later this year featuring the work of contemporary cartoon artists. Our friend Britt Aamodt will be releasing her book around the same time, driving this exhibit forward. Her book will be available at the Minnesota Historical Society Press.
The plan is to invite several talented artists, showcase large format cartoons, hold a cartooning Q&A session, and host a book signing event spread across three venues: Best of Times Bookstore, The Sheldon Theatre mezzanine gallery, and our gallery.
You might wonder if cartooning is a legitimate art medium. It absolutely is! And I would suggest keeping any doubts to yourself, lest you become the target of a parodied cartoon.
The beauty of cartooning lies in its versatility. It can lampoon or glamorize its subjects, be humorous or brutally frank, address real life or create an entirely new universe with its own rules. In other words, cartoon art defies definition.
This exhibit promises to be a lot of fun. I grew up reading the comics, and I still enjoy them today. I love the comics.
This event aligns perfectly with our past exhibits, including the Brown & Bigelow Pin-up exhibit in 2007, the Cream of Wheat original advertising art in 2008, and the original pulp magazine cover art in 2009. Stay tuned for more details as they unfold.
American Poverty and Catholic Charities USA wrap-up
Final Chapter of the Poverty Awareness Photojournalism Exhibit
This week marks the final chapter of the poverty awareness photojournalism exhibit entitled "In Our Own Backyard." This exhibit has crisscrossed the United States for the past 18 months and next week the exhibit finishes in Washington DC at the annual Leadership Summit for Catholic Charities.
Since this is the final and highest-profile stop of the tour, all of the large-format images are being reprinted and remounted, which is close to 120 images.
It is a very moving set of images, addressing all manners of poverty and everyday life. It is really hard not to stop and soak up the texture and realism of each image.
This has been a challenging and gratifying project. One of the best parts of this project has been working with Steve Liss. He is a natural-born educator and an amazing photojournalist who gets right into the thick of it.
Russell Patterson, 1893 - 1977
Framing "Nude & Flowers" by Russell Patterson is a fascinating challenge indeed. With such a storied history, the frame should reflect the multifaceted nature of Patterson's career and artistic talent. Here are a few ideas to consider:
Classic Elegance: A rich, wooden frame with intricate detailing might evoke the sophistication and glamour of the magazine covers and Broadway costumes he designed.
Art Deco Influence: Given Patterson's time in Hollywood and his glamorous portrayals of women, an Art Deco style frame with sleek lines and geometric patterns could be a nod to the era's aesthetic.
Gilded Grandeur: For a touch of luxury, a gold leaf frame could highlight the vibrant colors and textures of the oil on hardboard, while also paying homage to his celebrity status.
Modern Simplicity: A minimalist frame in black or white could allow the artwork itself to be the main focus, highlighting Patterson's transition back to fine art in the 1960s.
Eclectic Mix: Combining elements from different styles, such as a modern frame with vintage embellishments, could represent Patterson's versatile and ever-evolving career.
No matter the choice, the frame should enhance the piece while respecting the legacy of the artist. It's like adding the final brushstroke to a masterpiece.
Happy framing! 🎨🖼️
Anatomy of an Exhibit
Catholic Charities USA Centennial Leadership Summit
Yesterday, on April 20, 2009, Catholic Charities USA held their Centennial Leadership Summit at the College of St. Catherine. This event marked the inaugural exhibit of the "In Our Own Backyard: U.S. Poverty in the 21st Century" photojournalism awareness project. The summit kicked off Catholic Charities' ambitious goal to reduce poverty in the United States by 50% by the year 2020.
The entire exhibit process was meticulously documented, much like the television show '24', but instead of saving the country from terrorists, we were hanging art (perhaps the lamest metaphor ever).
T-2 weeks: Once the project was defined, the supply chain of raw materials started filling up. This exhibit required two cases of 4'x8'x1/2" black Gatorboard.
T-1 week: Each image was printed on premium luster photo paper (wide color gamut, scratch-resistant but susceptible to fingerprints), vacuum mounted to the Gatorboard, then trimmed to size and packaged. A total of 50 images were printed and mounted for this exhibit.
T-24 hours: The finished materials were delivered the day before the exhibit opening. The exhibit panels presented some challenges, with the image layout being the most critical.
T-12 hours: The image title blocks were completed, enhancing the storylines. I was delighted to see Carlos Gonzales from the Minneapolis Star Tribune participating, having known him from the Max Becherer exhibit.
T-4 hours: No exhibit is complete without a politician. In this case, it was the Honorable Mayor Chris Coleman of St. Paul.
T-0 hours: The exhibit generated a lot of discussion with its 'first person, photojournalistic' style.
T+x: From St. Paul, the exhibit moves to Portland, Oregon, and begins a nine-city nationwide tour, aiming to conclude at the White House in 2010.
Math, art, and a touch of drama—all in a single blog entry. Now that's efficient blogging.